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One More Revolution | Wake/Rise

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ON OR EVOLUTIO | AKE/RIS : nvitation, elebration, istening, aunch

Th peratin yste hrille nvit o er pecia venin elebratio h imultaneous releas w ork ndre azzariello: n or evolution, e olum orthcomin ro he Operatin ystem, n ake/Ris, h iny ecor mprin e ompositio azzariello.

Th ven il eatur erformanc n or evolutio, it ex ea azzariell ccompanie y musica election ha ppea h oo inyl, pportunit h irs iste ake/Ris, an pecia iv erformanc om od -- e ompositio azzariell laye avid Degge, h ommissione h ork.

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Abou h or / bou h erformers:

On or evolutio rite hroug h ntimate, ersona ractic istenin usic, ivin ith music. eginnin it elf-interrogatio nt h uthor’ rowin bsessio it ollectin iny ecords, th arrativ pin u nt editatio o om no h usi ove, o oice ro he pas nimat n omplicat ha nowing, n o h ay onsum usi el eepe tory abou h ay ha usi eans. omewher etwee emoi n heory, hi oo emonstrate hat persona evelation a nimat h or nalysis, ha oeti oic a ak orma laim, nd ultimately, ha anguag a rticulat h ay ha usi ove s.

Advanc rais o MR:

"Writin bou azzariello’ oo i ik ritin bou usic; lusive, e learl ommunicates; t i u ands, o nlik P, n a ee t ontents, eliev ha a w t, u lips throug u inger ik and, eavin exture mpression. nd, it u xperience it usic, e lear n ro n ee hroug t mbrace. hi oetic, ersonal, n ul umanity, eautifully written, arm, u it har dges, o nlik h ombinatio iny n iamond-tippe eedles that, ogether, rin “th usi tself” s, it h i u ver-learnin ands. ov ong, indeed, o l h ov usic." - a rueman

" aleidoscopi len thnomusicology, emoir, hilosophy, n oetry, hi yricall oaring meditatio usi n dentit nvite eflect, ve ently, h ay n eason ngage wit usic, ov eeply, n triv ndlessl ro t neffabilit it ords. azzariello' ords, chose it nsight, legance, n rit, d hi uma ndeavo it niqu n nforgettable illumination." - ara irklan nider

Wake/Ris n or evolutio ecord 03, h tudi ecorde ersio ndre azzariello’s one-person-ban erformanc iece. ings, lay rum n ynthesizer, n perate arious electronic rde reat ong-for or hat’ ar oc n ar inimalis hyth tudy. he piec ork hroug wakenin roade ocia n olitica onsciousness, ol ro ultiple perspectives. h extua n usica aterial rea nt ragments, volve, ecombine, n ltimately fal wa n n her he egan: ordles oic gains nalo ynt rone.

Hom od a ritte ndre azzariell o avi egge, ar i nitiativ ommission ne ork o ammere ulcimer. h iec sk avi la rregula attern h ulcime is hand hil i ee a ow asi / rea etwee ic ru n at. i oic nter n dds anothe eve ndependence, n he h and ul par nt or ontrapunta extur he voca ar ontinue ntensify. h ord eshuffl n ecycl ve h ours h iece, oldin he mundan etail ail if nt omethin or rofound, erhap iscoverin rofundit he seemingl undane.

Andre azzariello (b. 978) omposer, erformer, riter, n eacher. ork he intersection ex n ound, opula n r usic, raditiona layin echniqu nd one-man-band-inspire erformanc hysiology.

Hi oncer usi a ee erforme eadin ontemporar usi nsembles, ncludin ō Percussion, obiu ercussion, O nsemble, n ewspeak, n resente arnegi all, Nationa awdust, n a rancisco’ ente o e usic, mon an thers. EAMU n ew Amsterda ecord av elease ecording i lectroni n hambe usic. ctiv performer, lay niqu n ontinuall volvin nstrumenta etup, ncludin eyboard, ru et, voice, n lectronics. a ontribute ssay lban ecords, h aryshniko rt ente tories series, h ain au hambe rchestra’ iqui usi log, n rinceto niversit ress’ forthcomin h ocke nstructor: riting. h peratin yste il ublis i irs ook, ore Revolutio, 017.

H omplete i h.D. usi ompositio rinceto niversity, ritin h iny esurgenc nd it onnectio u dea hysicalit n bstractio usi nalysis, n he oine h acult f th rinceto ritin rogram, her augh evera irst-yea usic-centere riting
seminars. Currentl eache omposition, usi echnology, n usi undamental isiting Assistan rofesso usi arleto ollege, irect h ompositio rogra h ō ercussion Summe nstitute, n un n or evolutio ecords.

Davi egge (b. 987) xemplifie h oder nnovativ ercussionist. i rtistr ombine irtuosity o ercussio nstruments, ollaborativ piri nsembl usic, edicatio entorship, n he determinatio arv u e epertoir o h ammere ulcimer. i ecen erformanc it ō Percussio tev eich’ rummin incol ente a aile h e or ime o t “clarity an ivacity... ure, ncluttere leasure.” avi a oundin embe h uarte obius Percussion, rou ha pecialize lendin oic n ercussion. a ecentl ee erformin ne od ommissione ol iece ntegratin ammere ulcimer, it ork uin ollins, Mazzariello, aso reuting, n ure ollo. avi a ulbrigh ello ecipient, a aster n Percussio erformanc ro h eabod onservatory, n o ercussio eachin ello n Sō ercussion’ rogra h ar onservator usic.